Thursday, October 28, 2021

Wake Up America - Our Interstate Highway Infrastructure is Crumbling - 2013

 


"Colonel", driving his vintage Ford L9000 water truck in the desert, near Seligman, Arizona - Click for larger image (http://jamesmcgillis.com)

Wake Up America - Our Interstate Highway Infrastructure is Crumbling

On May 14, 2013, I departed Kingman, Arizona, heading for Flagstaff, one hundred forty-seven miles east on Interstate I-40. The altitude of Kingman is 3350 ft. while the altitude at Flagstaff is more than twice that at 6900 ft. What those statistics do not indicate are the many mountain passes and low valleys that I-40 traverses in that distance. The vertical rise and fall is like no other similar stretch on I-40.

By the time I reached Seligman, Arizona, I was ready for a break and my Nissan Titan truck was ready for fuel. Before I departed Seligman, a 1980’s vintage Ford L9000 water truck pulled in for fuel beside me. When I
A highway engineer oversees the final placement of a highway sign on Interstate I-40 at Ash Fork, Arizona - Click for larger image (http://jamesmcgillis.com)introduced myself, the proud driver of this venerable workhorse introduced himself as “Colonel”, which was good enough for me. Before he pulled away, I took several pictures of him and his iconic desert water truck.

Back on I-40 East, I lamented the poor condition of our interstate highways. To be sure, I-40 gets both heavy truck traffic and harsh winters, but the rutted and crumbling highway had me grumbling to myself about the poor state of our infrastructure in America. “Why don’t they ever fix this highway?” I asked aloud.

Although I was late for an appointment in Flagstaff, I slowed down to prevent damage to my truck or travel trailer. Soon, I was to experience highway reconstruction at its finest, thanks to our federal tax dollars. As I approached the crossroads town of Ash Fork, Arizona, lighted signs and myriad orange cones appeared along the highway.

Semi-truck and trailer loaded with California onions, heading east on Interstate I-40 near Ash Fork, Arizona - Click for larger image (http://jamesmcgillis.com)From Ash Fork, Arizona Highway 89 heads south to Prescott and Wickenburg, Arizona. In times past, an inattentive motorist might miss the small signs that identified the highway junction. After May 2013, no one would miss the gigantic new signs installed alongside I-40. As a large mobile crane lowered a new sign into place, a construction engineer guided the process from a platform fifty feet in the air.

With the construction excitement of Ash Fork behind me, I began to notice smooth new pavement in the right lane of the interstate highway. A semi-truck and trailer loaded with California onions glided up over a hill on its way to the east. For me the shaking and jarring of crumbling pavement ended. With a sigh of relief, I could relax a bit as I rolled smoothly toward Flagstaff.

The boss, in a straw hat rides on the back of an asphalt paving machine on Interstate I-40 in northern Arizona - Click for larger image (http://jamesmcgillis.com)Soon, the road was climbing again as it made its final ascent toward Williams and Flagstaff, beyond. Twice more along the way, I encountered large crews of workers and their equipment. They were repairing, restoring and resurfacing the same highway I had cursed only an hour before. Any delay I experienced that day paled by comparison to the glee I felt about my country and its ability to fix its infrastructure issues. In times past, signs erected at each project would say, “Your federal highway taxes at work”. If we abolish taxes in America, who will pay to keep commerce and tourists safely rolling along our highways?

Even as I sped by, I could see the efficiency and care that each road crew applied to their work. Awash in neon-green or bright orange shirts, each Asphalt paving crews work efficiently along Interstate I-40 in Northern Arizona - Click for larger image (http://jamesmcgillis.com)person was actively accomplishing their task. The whole scene was in motion, with heavy rollers following the monster pavers up ahead. On the back of one paving machine sat the boss. Along with two quality control experts, he was assuring that the new asphalt went down smoothly and firmly. Farther on, crews were stripping old asphalt from the road and recycling it into new asphalt for the pavers to follow.

As I neared Williams, Arizona, the federal highway dollars and the construction crews disappeared. For miles on end, I drove on a rutted roadway, which beat heavily at the undercarriage of my rig. Although the average citizen sitting at home might not know it, our taxes often accomplish more than they realize. Whether it is a load of onions making it safely to market in the east or tourists and vacationers making it safely to the Grand The San Francisco Peaks, almost devoid of snow in mid-May 2013, stand tall to the north of Flagstaff, Arizona - Click for larger image (http://jamesmcgillis.com)Canyon, good roads are essential to our economy.

When I reached Flagstaff, I was pleased to be on time for my afternoon meeting. I was also pleased to see Americans at work, helping other Americans safely reach their destinations. Here is to the water truck drivers, the pavement crews and the highway engineers who make safe travel available to all in our great country, the United States of America.

 


By James McGillis at 03:53 PM | Travel | Comments (0) | Link

"Wrenched - A Feature Documentary" Ms. Kristi Frazier, Producer - 2013

 


Storms collide on the back roads near Winslow, Arizona - Click for larger image (http://jamesmcgillis.com)

"Wrenched - A Feature Documentary"

Ms. Kristi Frazier, Producer

On May 14, 2013, I drove from Kingman, Arizona to Winslow, via Interstate I-40 and a few back roads. Along the way, I stopped in Flagstaff to visit with Ms. Kristi Frazier, the Producer of ML Lincoln Films’ “Wrenched – The Movie”, subtitled “How Edward Abbey lit the flame of environmental activism and gave the movement its soul”.

Ms. Kristi Frazier, Producer of ML Lincoln Films' "Wrenched - The Movie" - Click for larger image (http://jamesmcgillis.com)In late 2012, when Kristi Frazier first contacted me about my writing and the movie, I became interested in the project. Having written about Edward Abbey in various articles over the years, I wondered how ML Lincoln planned to treat Abbey’s legacy. Even twenty-four years after his passing, a documentary about Edward Abbey and the environmental activist movement he helped to found invited controversy.

When the original trailer for the movie hinted at the need for Monkey Wrench Gang-style physical intervention against “the machine”, I was concerned. Blowing up a coal train or pouring Karo Syrup in the fuel tank of a bulldozer made for good fiction, but not for responsible environmentalism or good politics in the 2010’s.

Edward Abbey - A Self Portrait - Click for larger image (http://jamesmcgillis.com)In my own way, I set about subverting the movie’s apparent promotion of environmental insurrection. To me, there was already too much violence and meaningless destruction of property in this world. No responsible person or film should advocate for more of the same. My way of attempting to turn that tide, if only in the film, was to write. My subject was Edward Abbey, as I saw him in life and channeled him in his current non-physical state.

Almost before I knew it, I had published four new articles about Edward Abbey. In life, he was famous for his passions, including an unbridled desire to blow up Glen Canyon Dam, thus releasing its water into the Colorado River. Years ago, I had walked with the Spirit of Edward Abbey at Navajo National Monument, Arizona. At the end of our walk, I realized that death had released the Spirit of Edward Abbey from his famous crankiness.

Who knows if my new articles had any influence on the filmmakers or the film? During my meeting with Kristi Frazier, she indicated that all of the environmental fervor was still in the film, but that it would not be a call to arms against developers or mineral extraction. I was pleased to hear that a new trailer for “Wrenched – The Movie” was coming in late May 2013.

This R. Crumb drawing is from the 10th anniversary edition of The Monkey Wrench Gang, a novel by Edward Abbey - Click for larger image (http://jamesmcgillis.com)I just finished watching that new trailer and afterward, breathed a sigh of relief. None other than Robert Redford makes a brief appearance in the trailer, saying, “It was the very beginning of an environmental movement, but it belonged to a certain caste of people that the other people saw as threatening”. Activism always threatens some people, but it is often necessary in order to enhance public awareness. I do not know if Robert Redford’s appearance in the movie trailer indicates that there will be a place for “Wrenched – The Movie” at the 2014 Sundance Film Festival, but I hope so.

Over the years, in this blog I have singled out only three people for a “World Citizen Award”. In 2008, I praised Tom Moody and his wife, the late Joan Moody, who together protected Namenalala Island in Fiji from fishing and over-development. In 2011, I praised Kathy Hemenway for being first to identify the environmental risks of potash mining in the Holbrook Basin, Arizona.

Author Jim McGillis and Plush Kokopelli present the World Citizen Award to Ms. Kristi Frazier in Flagstaff, Arizona - Click for larger image (http://jamesmcgillis.com)In conjunction with ML Lincoln of ML Lincoln Films, Kristi Frazier has spent over three years of her professional life shepherding “Wrenched – The Movie” toward its expected release in early 2014. When we think of a movie producer, we often think of some bigwig mogul smoking a cigar at a Hollywood studio. Instead, Kristi Frazier, a married mother of three balances work and family in Flagstaff, Arizona. Without her tireless dedication to a complex task, I doubt that ML Lincoln’s vision of the Spirit of Edward Abbey would ever make it to the screen.

In anticipation that “Wrenched – The Movie” will soon receive widespread theatrical release and critical acclaim, Plush Kokopelli and I recognize Ms. Kristi Frazier as recipient of only the third ever “World Citizen Award”. Congratulations to Kristi Frazier.


By James McGillis at 11:51 AM | Environment | Comments (1) | Link

Mount Whitney is Now Eleven Feet Higher; Mammoth Mountain is Ever-Drier - 2013

 


The author, Jim McGillis skiing at Mammoth Mountain, California, circa 1960 - Click for larger image (http://jamesmcgillis.com)

Mount Whitney is Now Eleven Feet Higher; Mammoth Mountain is Ever-Drier

In 1959, I first visited Mammoth Mountain, California and the Sierra Nevada, the range within which that mountain resides. On the way north from Los Angeles, we could see Mount Whitney, which at 14,494 feet in elevation was the highest peak in the continental U.S. In summer 2012, when I made my most recent visit to Mammoth Lakes, Mount Whitney had grown to 15,505 feet in elevation. Was the Sierra Nevada changing that rapidly?

Spokesmodel Carrie McCoy and author Jim McGillis at Mammoth Mountain in summer 2012 - Click for larger image (http://jamesmcgillis.com)The answer to that question is, “Yes” and “No”. If Mount Whitney gained more than a fraction of an inch in those fifty-three years, I would be surprised. What changed is scientists' ability to estimate the true shape of the oblate spheroid we call Earth. With ever more accurate satellite data, they can now accurately peg Mt. Whitney within a worldwide elevation database. Geologically, little has changed in the Sierra Nevada during those five decades.

During that same time, what has changed in the Sierra Nevada and throughout much of the Western U.S. is the weather. The two words that come quickly to mind are, “warmer” and “drier”. Add to those adjectives, the term, “less predictable”. Winter storms can still hit with what feels like vengeance. Without notice, in November 2011 an unprecedented windstorm toppled expanses of forest without notice. Although a typical night-skier at Mammoth Mountain may feel the security of the nearby lodge, a hiker on the Mount Whitney Trail that same night might face death from exposure.

Mammoth Mountain Ski Area near Mammoth Lakes, California - Click for larger image (http://jamesmcgillis.com)In the 1960’s, snow at Mammoth Mountain seemed as reliable as clockwork. Snowstorms started in October or November, followed by an inevitable succession of winter storms. By Easter time each year, it could be sunny and warm on the slopes or cold and snowy. “Sierra Cement”, as we called the spring snow, could fall one day after sunshine. In those days, snowmaking equipment did not exist in the Central Sierra Nevada. Most years, there was good skiing until Memorial Day. Even into the late 1980's, the mountain often remained open for skiing through the Fourth of July weekend.

Gradually, yet inexorably, the weather patterns changed. In the late 1970’s, all of California experienced an extreme drought. First, the Golden State turned brown and then the skies turned black with smoke from ever-larger wildfires. An entire generation of toddlers learned not to flush the toilet unless necessary. Restaurants stopped serving water, unless requested. Auto repair facilities stopped offering complimentary car washes. California reservoirs were at an all-time low. Then, after several years of drought, heavy snow returned to the Sierra Nevada. Almost immediately, water usage climbed back to pre-drought levels.

Plush Kokopelli enjoys warm spring sunshine at Mammoth Lakes, California in 2013 - Click for larger image (http://jamesmcgillis.com)“El Niño”, and his sister, “La Niña” were to blame for California’s erratic weather, or so we were told. When the fisheries off the coast of Peru experienced higher December ocean temperatures, California would soon feel the effects of drought. “El Niño”, in this case, referenced the supposed December birthday of the “Christ Child”. Although there is no record of Jesus having a sister, if cold ocean temperatures arrived near Peru, “La Niña” heralded cold, wet winters in the mountains of California.

In the early 1980’s, the media began mentioning the “Greenhouse Effect” and later, “Global Warming”. “El Niño” events connected weather systems in both the Southern and Northern Hemispheres, it seemed. Yet the transport or communications mechanisms between Peru and California were puzzling. The milder term, “Climate Change” had not yet gained politically correct usage. As scientists documented the interrelationship of global weather and ocean temperatures, two camps developed.

Plush Kokopelli sledding near Mammoth Lakes in 2013 - Click for larger image (http://jamesmcgillis.com)The first camp was the “Believers”. “If scientists tell us it is true, it must be true”, the Believers said. The second camp was the “Deniers”. “If scientists tell us it is true, there must be a vast conspiracy, so believe none of what they say”. Over time, a third camp arose, which I call “Rationalists”. This group says, "Over time, if I see it with my own eyes and feel it with my own body; I can determine what is true and what is not".

In the 1960’s, the snow on Minaret Road was so deep, that rotary snowplows created a two-lane canyon leading to the ski area. In the 2010’s, the snowplows still make their circuits, but snow walls twenty feet high do not occur. In recent years, the snowstorms have arrived later in the fall and ended earlier in the spring. Overall, the ambient temperature is higher and the air is drier.

Plush Kokopelli discovers that ice is melting early on Lake Mary in April 2013 - Click for larger image (http://jamesmcgillis.com)In 2012, I asked Plush Kokopelli to spend the snow season at Mammoth Lakes and to report what he found. Although the first storms arrived late, during January and February 2013 more snow fell. Plush Kokopelli reported the possibility of a good snow year in the Sierra Nevada. Then, in March, things warmed up and it felt like spring in Mammoth Lakes. By late April, after a few brief storms, the snow season appeared to end.

In late April, the U.S. Forest Service plowed the road around Lake Mary. Although the road remained closed to vehicular traffic, Plush Kokopelli took a hike around the lake. On that hike, he observed the ice begin to recede from shore. Upon returning the next day, all of the ice had melted, leaving open water where an ice field had so recently resided. California Department of Water Resources reports told us that as of May 2, 2013, the Central Sierra Nevada snowpack, including Mammoth Mountain, stood at twenty-three percent of “normal”.

As Plush Kokopelli observes, the ice melts before his eyes on Lake Mary near Mammoth Mountain, California in April 2013 - Click for larger image (http://jamesmcgillis.com)It may not be rational to send Plush Kokopelli to report on the weather from Mammoth Mountain, but for me, “seeing is believing”. The snow season appears to be over and a hot, dry summer in the Sierra Nevada awaits. Still, as of this writing, no one in California is mentioning the word, “drought”.

 


By James McGillis at 05:00 PM | Environment | Comments (0) | Link

Desolation Canyon - Wilderness Study Area or Hollywood Back Lot? - 2013

 


In the right foreground, "Thelma & Louise Mesa", as seen from Dead Horse Point, near Moab, Utah - Click for larger image (http://jamesmcgillis.com)

Desolation Canyon - Wilderness Study Area or Hollywood Back Lot?

According to a recent Deseret News article, “Moab, Utah's scenic and diverse landscapes are an alluring backdrop for movie makers, and now the science- and thrills-based ‘MythBusters’ has picked the Desolation Canyon area to film an upcoming episode. Officials with the popular show are keeping mum about the ‘myth’ to be busted or proven — the trick is to tantalize the viewers — but a Bureau of Land Management (BLM) document details two curious components: duct tape and bubble wrap”.

Early filming near Moab, Utah included John Ford's Wagon Master, pictured here - Click for larger image (http://jamesmcgillis.com)The article goes on to say that the upcoming episode will, “showcase the rugged terrain of the Desolation Canyon Wilderness Study Area and feature rollicking romps along the Colorado and Green Rivers”. According to the Moab BLM Office, filming will take place in eight locations over ten days. “Strict time limits are set on film or movie permits in wilderness study areas to limit impacts (italics mine) to the environment”, a spokesperson said. With a purview 1.8 million acres, could the Moab BLM Office not suggest a less fragile and easily disturbed environment for filming? With over one hundred commercial film permits issued by Moab BLM each year, how many authorize shooting within “wilderness study areas”? Why allow anything but legitimate scientific or culturally significant filming in such a near-pristine environment?

Film production, such as the 1991 drama Thelma & Louise can be disruptive to the natural environment - Click for larger image (http://jamesmcgillis.com)The Deseret News article went on to say, “Review of the permits is a necessary function of the BLM's public land management responsibilities, ensuring that recipients comply with the appropriate safeguards to minimize (italics mine) disruption of the environment”. The permit for MythBusters signed April 12, 2013 and issued the following week, encompasses activities that "would otherwise already be allowed in a wilderness study area, such as hiking or climbing". In the BLM statement, there is no mention of vehicular support, power requirements or sanitary facilities.

To me, “limiting impacts” and “minimizing disruption” at the Desolation Canyon Wilderness Study Area is not enough. In support of ersatz science and commercial profit, BLM should allow no additional impacts or disruption of the wilderness study area. Wilderness stays wild only if protected from overuse by humans and their machines.

A close-up of "Thelma & Louise Mesa", where Ridley Scott sent their T-Bird off the cliff of the Colorado River Gorge - Click for larger image (http://jamesmcgillis.com)If I understand the concept, a professional production team will film actors as they recreate an experiment for which they already know the results. To spice it up, they will add some “personal danger” component. By “saving the day” with their duct tape and bubble wrap the Discovery Channel will appear to justify filming in a wilderness study area. If my thesis is close to the truth, the Moab BLM should require additional environmental safeguards for commercial shooting within any of its wilderness study areas.

Those safeguards should include aerial video footage focusing on the shooting locations, both before and after commercial activities. After completion of filming, BLM should compare the “before and after” footage, as provided by the permit holder. If there is any substantial impact or disruption of the environment, the production company should pay for remediation, replanting or loss of riparian habitat.

Contemporary Grand County, Utah Sheriff's cruiser - Click for larger image (http://jamesmcgillis.com)While filming the dramatic conclusion to the 1991 film, Thelma & Louise, director Ridley Scott leased a fleet of eleven Grand County, Utah and other official police vehicles. Up on the Shafer Trail, Scott ordered the “lawmen” to chase Thelma & Louise to the edge of a previously untrammeled mesa. During multiple “takes”, all eleven vehicles chased the actors or their stand-ins toward their eventual demise over the edge of the Colorado River Gorge.

Although Thelma & Louise is one of my all-time favorite movies, I was sad to see that the a total of twelve vehicles and their forty-eight wheels cut deep grooves into the soft, cryptobiotic soil atop the mesa. When viewed today, either in person or via Google maps, the mesa is a denude landscape, cut by arroyos and multiple social roads. Although Thelma & Louise Mesa is an environmental wreck, no one seems to notice or care.

In less dramatic fashion video shot from a helicopter could ensure that future filmmakers respect the environment - Click for larger image (http://jamesmcgillis.com)At this time, I do not accuse the BLM or MythBusters of anything untoward. Still, the public has a right to know how our most fragile public lands are used. As such, it would behoove the producers to rent a helicopter and document their activities for all to see. If they would devote more time to environmental preservation and less time to their “duct tape and bubble wrap” drama, I might tune in and watch their story on TV.

Since BLM issued the MythBusters film permit in mid-April, all of this may be a moot. If production schedules are tight, the entire process may already be over. If there was no aerial-video oversight of this project, perhaps BLM can add it to their requirements list. Then, next time they issue a permit for commercial filming in a wilderness study area, the public will be able to observe the outcome. Until then, whatever happens in Desolation Canyon stays in Desolation Canyon.


By James McGillis at 06:06 PM | | Comments (0) | Link

Does the Passport Potash, Inc. Holbrook Basin Project Hold Water? - 2013

 


Is there sufficient water in the C-Aquifer of the Holbrook Basin to serve the needs of both a potash mine and the ecology of the Little Colorado River watershed? - Click for larger image (http://jamesmcgillis.com)

Does the Passport Potash, Inc. Holbrook Basin Project Hold Water?

In 2009, I first visited the Cane Creek Facility, operated by Intrepid Potash – Moab, LLC. The main features of the “facility” include a hydraulic (in-situ) mining operation, large settling ponds, plus a processing building and a loading facility for the finished product. While driving along the public road known as the Shafer Trail, I observed the almost total destruction of the natural environment within the confines of the facility. Contemporary large-scale farming requires potash as a fertilizer. Still, I wondered, when is the environmental cost too high for any particular mine to be developed?

A dust storm approaches the Snowflake, Arizona home of environmentalist Kathy Hemenway in 2010 - Click for larger image (http://jamesmcgillis.com)In 2010, environmentalist Kathy Hemenway contacted me regarding my research into potash production near Moab. A consortium of mining companies, she told me, was preparing to mine potash from beneath the Holbrook Basin, near her home in Snowflake, Arizona. Over the next three years, Passport Potash, Inc. became the lead company in the effort to mine potash salts in the Holbrook Basin. After making agreements with various ranchers, other mining interests and the Hopi Tribe, Passport Potash commissioned the German consulting company ERCOSPLAN to create a Preliminary Economic Assessment, or “PEA”. In March 2013, Passport Potash, Inc. published the ERCOSPLAN PEA on their website. (Author's note: By 2015, the 
ERCOSPLAN PEA was available only as a PDF file)

During 2011, I had researched and written a series of four articles on the Holbrook Basin and the Little Colorado River Basin within which it resides. With over-stressed aquifers and a drying environment, the introduction of a Moab-style, in-situ (solution) mine in the Holbrook Basin would reflect an obvious overuse
of a diminishing resource. Initially, when I read the 2013 Passport Potash PEA, I was buoyed by the consultants’ recommendation that Passport Potash conduct conventional, “room and pillar” mining at Holbrook.
Widespread environmental damage created by in-situ potash mining near Moab, Utah - Click for larger image (http://jamesmcgillis.com)
When I looked deeper into the report, I discovered potential problems with the Passport Potash conventional mining plan. As they say, “the devil is in the details”. The devil, in this case, is the potential overuse of surface water and groundwater in the Holbrook Basin. Although Passport would build conventional shafts and galleries for their mining operations, large amounts of water would be necessary for ore processing and other uses adjacent to the mine. While much of the Passport Potash PEA looked feasible to me, the lack of a comprehensive hydro-ecological survey raised an immediate red flag.

In Moab, Intrepid Potash needs only to drop a siphon into the adjacent Colorado River to suck up the incredible amounts of water required to flush potash salts from deep underground. To my knowledge, there is no public disclosure of the amounts of water required for the “Big Flush” at Moab. With
relatively high purity of desired potash compounds, Intrepid Potash uses sunlight to dry their produced brine. After minimal processing, Intrepid Potash is able to ship its final product by rail or truck.
Extensive brine holding ponds at Potash, Utah dominate the environment - Click for larger image (http://jamesmcgillis.com)
In the Holbrook Basin, however, there is a “high amount of Carnallite (approx. 8%) and the relatively high amount of insoluble material (nearly 5%) in the mineralized material”. Further, the consultants say, “the reliable processing route to obtain a MOP product (commercial potash) will be a variation of the hot leaching/crystallization route”. Since hot leaching is a water and steam-intensive process, “the total water demand for processing, including process water and make-up water for cooling cycles, is approximately 550 m³/h”. That translates to 145,295 gallons or 2.24 acre-feet per hour.

Put into context, one acre-foot of water will sustain a single U.S. suburban household, or up to four “water wise” households for one year. With a full
running time of 6600 hours per year, and water usage of 2.24 acre-feet per El Rio Puerco (the Puerco River) runs like a brackish ditch through Petrified Forest National Park near Holbrook, Arizona - Click for larger image (http://jamesmcgillis.com)hour, the annual water usage at the Holbrook Basin Project would be 15,840 acre-feet. In context, that amount of water could support between 15,000 and 60,000 households. Flagstaff, which is the largest city in Northern Arizona, has a population of just over 65,000. With a population of about 5,000, Holbrook is the largest city in the Holbrook Basin. When operational, the Holbrook Basin Project would dwarf the water usage of Holbrook and approach the water needs of Flagstaff. Instantly, the Holbrook Basin Project would become the largest single water user in all of Northern Arizona.

According to the PEA, “A regional aquifer is located within the Coconino Sandstone and locally within the uppermost Supai Formation, which is called the C-aquifer. Furthermore, the Moenkopi and Chinle Formations might (italics mine) contain undefined/unreported aquifers. South of the Project Area, there are extensive areas of sinkholes reaching the land surface, which suggests major salt dissolution that likely contributes to the salinity of the water in the Coconino Sandstone (COX, 1965, /6/)”. The above statement ignores the fact that new sinkholes have developed in the area within the past twenty years. Earth scientists know that as the local water table subsides, sinkholes are often the result.

Quicksand dominates the watercourse of the Little Colorado River at Homolovi State Park, near Winslow, Arizona - Click for larger image (http://jamesmcgillis.com)The Little Colorado (River), a permanent stream (italics mine), and the Puerco River, an intermittent stream, run through the area (COX, 1965,/6/). These streams merge about three miles east of Holbrook and tend to generally produce fresh water, which is reported to be brackish to saline in the surrounding areas”. The only hydrological study cited in the PEA dates to 1965. Perhaps the Little Colorado was a “permanent stream” in the 1960’s, but it is far from that today. In the current century, that river runs hard and fast for only a brief time each spring. At that time, snowmelt from the Mogollon Plateau runs off toward the Colorado River. Summer thunderstorms may produce brief river flow, as well. Otherwise, most of the flow cited in the PEA is running beneath the surface, if at all.

The Wigwam Motel in Holbrook, Arizona was the inspiration for the Cozy Cone Motel in the Disney Pixar movie, "Cars" - Click for larger image (htp://jamesmcgillis.com)“The availability of water has been investigated in a preliminary hydrogeological study (MONTGOMERY & ASSOCIATES, 2013, /27/), but further in-depth studies are required. According to the MONTGOMERY & ASSOCIATES study, the required amount of water could be supplied (italics mine) by the Coconino Sandstone aquifer”. The cited study, by MONTGOMERY & ASSOCIATES is not currently available on the internet, so its conclusions are speculative, at best. Without drilling, logging and publication of numerous test-well flow-rates, Passport Potash, Inc. should not base their development decisions on such speculative information.

“Water demand will be met by wells drilled in the vicinity of the preliminary plant site. A pipeline system will be installed to pump the water to the plant site, where it will be stored in several large water storage tanks for use in processing, general usage in the mine, fire suppression and potable water supply”. With a planned twenty-six year production cycle at the Holbrook The "Gas Mart" hearkens back to the day when old Route 66 was the lifeblood of commerce in Holbrook, Arizona - Click for larger image (http://jamesmcgillis.com)Basin Project, we may now extrapolate how much “mystery water” the Coconino Sandstone aquifer must contain in order to provide an adequate supply for the life of the project. My quick calculations indicate that during its lifetime, the Holbrook Basin Project would require water resources equal to almost twice the carrying capacity of Bartlett Lake, near Phoenix, Arizona. Bartlett Lake is twelve miles long, with a surface area of over two thousand acres and an average depth of one hundred feet. Until I see a professional hydrological study of the Coconino Sandstone aquifer, I would not trust mere reference to an unpublished study commissioned by Passport Potash, Inc.

“A sewer system will be constructed on-site to treat the waste-water from the sanitary facilities at the plant. Afterwards, it will be used as process water”. Before it becomes a saturated brine solution, the processing facility would reuse and recycle water several times during various phases of mineral
An eroded sandstone landform in Petrified Forest National Park near Holbrook, Arizona testifies the the aridity of the Holbrook Basin - Click for larger image (http://jamesmcgillis.com)production. Although this recycling effort is admirable, “about 15.4 MTPA (millions of tons per annum) of wet solids and 997,000 m³ (808 acre-feet) of brine per year remain as processing residues, which have to be disposed of”.

The PEA states, “The disposal brine remaining from the production process can be disposed of by deep well injection”. To me, that is a glib statement. Over the life of the project, injecting over 21,000 acre-feet of saturated brine into deep wells could result in unintended consequences. To see what might happen, look no further than the States of Arkansas, Oklahoma and Kansas, where deep rock fracturing (fracking) and process water disposal in deep wells may have caused earthquakes of unprecedented size and scale. The only way to study deep well injection at a particular site is to do it. Could large-scale process-brine injection compromise the rock barrier that separates the injection sites from the Coconino Sandstone aquifer above?

A large thunderstorm over Snowflake, Arizona is typical of the summer Monsoon in Northern Arizona - Click for larger image (http://jamesmcgillis.com)Production Waste Disposal – “The processing of the potential potash ore described in Section 16.2 produces about 400 million metric tons of wet solid tailings and about 25 million m³ MgCl2-rich waste brine over the whole project lifetime. The tailings will be stockpiled on the surface and will remain after the mining operation. Potential emissions from the tailings pile are either salty water (brine), which will be collected and handled like the waste brine, or dust transported by wind”.

“Furthermore, a 1.5 m high dyke should surround the tailings pond and will collect water run-off. The collected water will be pumped into the brine ponds and disposed by deep well injection”. In the summer months, the regional Monsoon can bring heavy downpours to the Holbrook Basin. If a major thunderstorm were to unload its water supply directly on the Holbrook Basin Project, would a five-foot tall berm of earth be sufficient to contain the mountainous, salt-saturated tailings pile? If such a disaster were to occur,
A bulk rail car loading facility under construction near St. Johns, Arizona is similar to a facility planned for the Holbrook Basin Potash Project - Click for larger image (http://jamesmcgillis.com)the resulting flood of brine could enter the Little Colorado River and from there, flow unimpeded toward the Colorado River and the Grand Canyon.

“In total, about 400 million metric tons of wet solid tailings will accumulate during the operation. The wet salt from the plant has to be stockpiled permanently on the surface. Taking into consideration a height of 40 m and a material density of 1.7 t/m³, an area of about 6 km² is necessary to handle the solid disposal from the process”. Converted to U.S. standards, 6 km² is equal to 3.7 square miles of unprotected tailings, standing over one hundred thirty feet high.

Although the PEA passes off “dust transported by wind” in a single sentence, wind borne dust is already a major modifier of weather and stream flow throughout the Colorado Plateau. In recent years, spring dust storms have drastically altered the environment in the Colorado Rocky Mountains and
Tons of dirt and dust spontaneously go air-borne during a wind event in the Holbrook Basin, Arizona - Click for larger image (http://jamesmcgillis.com)other high altitude snow banks throughout the region. As wind borne dust lands on the snow pack, it changes the albedo (light reflectance) of the snow, darkening it and causing early snow melt. Rather than allowing slow release of melt water into the environment, rapid melting of dirty snow creates floods along both the Little Colorado River and throughout the Upper Colorado River Basin.

The Holbrook Basin Project, Phase 1 – “Studies to confirm and verify the assumptions made for the PEA. These studies include detailed hydrogeological investigations to determine the quantity and quality of groundwater available for the project. An initial water study indicates the general suitability of the
Coconino Sandstone aquifer as a water source, but no specific investigations have been conducted. Recommendations: Detailed hydrogeological investigations to determine the quantity and quality of groundwater available for the project”.

Two Navajo mothers watch as their children play in a Little Colorado River swimming hole beneath a railroad bridge near Winslow, Arizona - Click for larger image (http://jamesmcgillis.com)If the legacy of the Holbrook Basin Project shall be a dried-up or brine-compromised Coconino Sandstone aquifer and a mountainous pile of salt tailings blowing in the wind, Passport Potash, Inc. should abandon the project now. Before the company moves forward with the project, it should publicly address the following issues:
      • Are there sufficient water reserves available to support both the mining operation and the Holbrook Basin at large?
      • What are the potential environmental effects of injecting brine into deep wells, beneath the Coconino Sandstone aquifer?
      • Will the company provide adequate protective covering and drainage for the tailings pile, both during and after the project life-cycle?

Until these basic questions are answered, I remain unconvinced that the ERCOSPLAN/Passport Potash, Inc. Preliminary Economic Assessment (PEA) holds any more water than does the Little Colorado River during its dry season.


By James McGillis at 03:14 PM | Environment | Comments (0) | Link

A Visit to Seven Mile Canyon, Moab, Utah with Author Craig Childs in October 2008

 


A balanced rock of Navajo Sandstone marks the entrance to Seven Mile Canyon, near Moab, Utah - Click for larger image (http://jamesmcgillis.com)

A Visit to Seven Mile Canyon, Moab, Utah with Author Craig Childs in October 2008

Recently, I received a message from Dr. Terry Swanson regarding Seven Mile Canyon near Moab, Utah. In part, it said, “Hello: I was trying to find info on the “Snake in the Mouth Pictograph” and came across your blog regarding Seven Mile Canyon and your trip there with Craig Childs.

I am a retired Boeing engineer and spend a few days each year in the Moab area and even more time in the
San Rafael Swell, Cedar Mesa areas. I have been to more than 400 rock art sites, belong to the Utah Rock Art Research Association (URARA) (meeting in Moab, October 2013) and the Arizona Archaeological Society, so I respect sites and never touch anything.

Author Craig Childs reads from his field notes at Seven Mile Canyon, Moab, Utah - Click for larger image (http://jamesmcgillis.com)Reading your description and seeing you were on the North side of Highway 313 in one of your photos I looked around Google Earth and thought the location might be as depicted on the enclosed image. Best Regards! Dr. Terry Swanson

It has been over four years since I last visited Seven Mile Canyon. I did make one attempted to visit there in April 2012, but the access points had changed and barriers prevented easy access. That day, I had insufficient time to park and hike Seven Mile Canyon on my own. With the new questions raised here by Terry Swanson, I hope to visit Seven Mile Canyon again in 2013.

To answer Terry’s questions about our 2008 Seven Mile Canyon hike, I searched Google Maps for the Utah Highway 313 turnout where we had parked that day. I located it about two miles southeast of the U.S. Highway 191 junction, heading toward Canyonlands and Dead Horse Point.

Prior to 2008, I knew of Utah Highway 313, but not about Seven-Mile Canyon. Not knowing where our driver was heading that morning, I was surprised when he stopped the van at a stub road on the east side of Highway 313. At that point, we were not more than twelve miles from Downtown Moab.

An ancient dancer opens her arms to the spiral of infinity - petroglyph at Seven Mile Canyon, Moab, Utah - Click for larger image (http://jamesmcgillis.com)Where we stopped, there were no signs or other markings. In order to find the place again, I photographed the Canyonlands Field Institute Van and our leader Craig Childs, with distinctive natural features in the background. If you search "Craig Childs" on Google, my close-up photo of Craig from that spot appears on the first row of the images results.

That day, we visited two major sets of petroglyphs. The first set was just across the highway, in a small, boulder-strewn canyon. Around the lower edge of the canyon wall, we saw many casual markings on the rocks. It looked like ancient graffiti in a picnic area. Near the end of that brief sojourn, I hiked up on the rock pile and took a photograph looking down on our whole group.

Two sales reps out for a joyride at Seven Mile Canyon, Moab, Utah 2008 - Click for larger image (http://jamesmcgillis.com)After crossing back over the highway, we followed a path through some tall, reedy plants. Growing as they did on the outside bend of the arroyo, even in October there was sufficient water beneath to leave mud on our boots. It was a tangled mess, with only a limited passageway back and forth between canyon and road.

Later, much to our surprise, a couple of sales reps, out for a joyride in a Chevy drove past us in the arroyo. Somehow, they had driven through the wet and reedy area, not caring about the finish on their company SUV. From there, the two men drove up the sandy wash that comprises much of Seven Mile Canyon. As I learned in 2012, vehicular access from Highway 313 to Seven Mile Canyon is now blocked.

Author Craig Childs points the way to Seven Mile Canyon, Moab, Utah - Click for larger image (http://jamesmcgillis.com)On one side of the watercourse, we found a wooden-rail fence that resembled a long hitching rail for horses. With the lonely fence standing at the base of a small escarpment, its original purpose was no longer obvious to me. In this ancient place, the rail fence became a mysterious, yet recent archeological feature.

In October 2008, the area appeared wracked by drought. We found no flowing or standing water at all. The only surface moisture was in the muddy area at our entrance to the canyon. In the upper reaches of the arroyo, only thorns and tumbleweeds grew. Around the area, large cottonwood trees had died, while others looked stressed, dying-back almost before our eyes. Although the drought around Moab continued since 2008, that one section of cottonwood trees and brush has thrived. The 2012 Google Earth photo of that place shows thick brush and mature trees.

That cottonwood stand is the place where upstream thunderstorms go to die. When flash-floods in the stream-bed are large enough to bring water to the thicket, much of it is absorbed in the alluvium. If you zoom-out on Google
Our Confluence 2008 writing group stops for a rest near a mysterious rail fence in Seven Mile Canyon, Moab, Utah - Click for larger image (http://jamesmcgillis.com)Maps, our hiking spot is the largest green space for miles around.

In ancient days that was true, as well. Prior to the Great Disappearance, we know from tree-ring data that the Colorado Plateau enjoyed a wetter environment. Over millennia, this one patch of greenery could have housed and fed people from many cultures. A mix of ancient and newer styles of rock art in Seven Mile Canyon bears out this thesis.

Upstream from the green space, a small side canyon juts away from the arroyo. Next, we visited that dry grotto. In the rainy season, or during a thunderstorm, water pours over the edge of the mesa above, creating a Garden of Eden in the protected alcove below. When we were there, the pool at the bottom was dry and only one stressed out plant of any size was alive in the immediate area. Imagine that space in ancient times. Was it a bathing spot for early residents and visitors? With the profusion of the ancient rock art on the walls of the grotto, I could see that it was once a well-populated
Author Craig Childs, In his element, deep inside Seven Mile Canyon, Moab, Utah - Click for larger image (http://jamesmcgillis.com)place.

That day, we spent our time looking, listening and writing, all in the lower reaches of Seven Mile Canyon. At one point, Craig Childs asked us take off our shoes and walk barefoot in the bottom of the sandy wash. “Just feel the Earth beneath your feet”, he said. My field notes from that day read as follows. “As I walk up canyon, I feel hard sand beneath my bare feet. Rather than enjoying my journey, I think about my destination. Will I know it when I find it, or should I just walk on? Now I look up from my writing place and realize that it is here, in this canyon, among these shimmering cottonwood trees that I do belong”.

Soon it will be time for me to look again upon Seven Mile Canyon. I plan to do so in May 2013. If you go, be prepared to spend three or four hours in the canyon. Even if you hike no farther up canyon than we did in 2008, your encounter with the Spirit of the Ancients will be well worth the effort
.


By James McGillis at 06:20 PM | | Comments (0) | Link

Greater Canyonlands National Monument - It's Now or Never - 2013

 


Delicate Arch - Symbol of Arches National Park and Moab, Utah - Click for larger image (http://jamesmcgillis.com)

Greater Canyonlands National Monument - It's Now or Never

Recently, Ms. Sheri McLaughlin sent information about natural gas and other mineral exploitation in San Juan and Grand Counties, Utah. Sheri’s friend, Kiley Miller lives in San Juan County and keeps close tabs on gas leases, illegal off-road vehicle activity and other threats to peace, quiet and a natural environment. Following is Kiley’s email to Sheri.

From: Kiley Miller
Subject: Oil & gas leases sold Moab, UT BLM
Date: Saturday, March 2, 2013, 10:00 AM

Less than fifteen miles from all three arches pictured below, large-scale "fracking" of underlying rock structures threatens the stability of all natural arches and balanced rocks - Click for larger image (http://jamesmcgillis.com)The BLM did not defer many protested parcels including the hotly contested Parcel 042 just above the Moab Valley, which threatens numerous watersheds. The Moab area is under threat of massive industrialization from oil & gas development along with a proposed tar sands mine, potash mine, Green River Oil Refinery, & Green River nuclear facility along with a 24-mile oil & gas pipeline - starting at the gates of Canyonlands National Park, and then down to U.S. Highway 191 just north of Moab.

If you want to get involved, please get in touch with the groups I have listed below along with Utah State political figures, President Obama & write letters to the editors of newspapers & news publications.
Thanks so much-
Kiley Miller
Moab, Utah


Delicate Arch - The symbol of Moab, Utah is vulnerable to nearby oil & gas exploration and production - Click for larger image (http://jamesmcgillis.com)Following is the resource list that Kiley Miller provided. Wherever possible, I have provided links to an appropriate internet resource or email address.

A recent article in the Moab Sun News – “All BLM Oil & Gas Parcels Leased”.

The website of the Canyonlands Watershed Council – at FarCountry.org

The website of Living Rivers – at LivingRivers.org

The website of – Southern Utah Wilderness Alliance -at SUWA.org

Balanced Rock at Arches National Park, Moab, Utah is vulnerable to nearby oil & gas exploration and production - Click for larger image (http://jamesmcgillis.com)Letter to the Editors of – the Moab Sun News – at publisher@moabsunnews.com

Letter to the Editors of – the Moab Times – at editor@moabtimes.com

Bureau of Land Management (BLM)
Juan Palma: Utah State Director
email: jpalma@blm.gov
Jeffrey Rock Smith: Moab Field Office
email: jeffreysmith@blm.gov
Beth Maclean: Moab Field Office
email: bmaclean@blm.gov

Grand County Council – Through unilateral action, the current council is on record as opposing Greater Canyonlands National Monument.
email: council@grandcountyutah.net

Landscape Arch lost a large section of structural rock in an earlier rock fall - Click for detail of thinnest spot - (http://jamesmcgillis.com)San Juan County Commission:
email: bbadams@sanjuancounty.org
email: plyman@sanjuancounty.org
email: kmaryboy@sanjuancounty.org

Thank you to Kiley Miller and Sheri McLaughlin for sharing this valuable resource list. Now it is up to the reader to get involved. Without your help, Greater Canyonlands will remain unprotected from gas drilling and fracking, tar sands and potash mining and the watershed effects of nuclear facilities. Please help secure a future for Greater Canyonlands National Monument. If you contact any one of these resources, please tell them that Kiley Miller, Sheri McLaughlin and Moab Jim sent you.


By James McGillis at 04:54 PM | | Comments (0) | Link - 2013