Refraction of Sunlight on a Kiewit Crane Creates Potential Air Disaster in LA's Sepulveda Pass
On January 29, 2012, I visited the  Mulholland Drive Bridge
 replacement project and got a close-up look at  progress there. 
Starting in Hollywood on a clear afternoon, I drove Mulholland  Drive 
until its intersection with  Interstate I-405. There I traveled west across the remaining north side of  the  Mulholland Drive Bridge. After parking my car and surveying the scene, I  soon found a perch that overlooked the freeway and construction project.
With
 the natural light on my back, the late afternoon sunshine provided good
  visual contrast at the ongoing project. Along with the remaining 
half-bridge,  new support structures and construction cranes fought for 
dominance of the  scene. The Kiewit cranes had the upper hand, with 
their great, latticed booms  dominating the vertical scene. Less than 
half as tall as were the twin derricks,  massive new freestanding 
bridge-supports imparted strength and security to the  scene.
Each of the massive crawler cranes had a cab painted in the signature gold color  of  Liebherr Cranes,
 a German manufacturer. That company, through its U.S.  affiliate offers
 a wide range of mobile and fixed construction cranes. Each of  the 
Sepulveda Pass cranes crane had a single latticed boom, which could be 
up to  89-meters (226 ft.) in length. With its boom painted black and 
sporting a white  tip, the west-side crane created a high visual 
contrast against a clear Los  Angeles sky. At that time, the east-side 
crane stood in full sun. After lifting a  load with the crane, an 
operator came out of the golden cab and stood upon the  huge crawler 
treads.
On the east-side crane, I could see the bridge contractor’s logo, with the name  Kiewit
 painted boldly on the side of the long cab. Since the Mulholland  Drive
 Bridge project required demolishing and rebuilding the bridge one-half 
at  a time, these cranes shall see service at this site for years to 
come. Rather  than simply leasing them for this job, it appeared that 
the contractor had  purchased both of these cranes. 
For some reason, I kept looking back to the golden crane on the east 
side of the  freeway. Since so much of sunlight falls into the yellow 
and gold portions of  the visual spectrum, the entire crane appeared to 
glow in the lengthening light.  To me, the huge crawler crane appeared 
as a beautiful piece of kinetic  sculpture. If I starred at it long 
enough, the golden crane virtually disappear  into the scattered light 
of the sky. A shake of my head brought the  skyward-reaching boom back 
into focus.
Before
 I departed the west side of the bridge, I stopped to take a picture of 
 the lane closure created by the partial demolition of the bridge. When I
 turned  the camera from horizontal to vertical, I realized that an old 
friend was  standing guard there both day and night. It was  Coney the Traffic Cone,
 of course. Too shy to speak, Coney had stood there  for months hoping 
that someone would notice him as he warned motorists that half  the 
bridge was missing.
When it was time to leave, I drove east across the bridge and then 
headed for  the northbound on-ramp of the I-405. That ramp has a 
straight downhill run and  enters the freeway just south of the summit 
and the bridge replacement project.  As I descended the ramp and then 
drove under the bridge, I fired my camera  shutter repeatedly. After 
entering the freeway, I stopped shooting as I passed  close to the 
east-side golden crane.
Later, I uploaded my photos and began writing this article. As usual, I 
selected  the pictures first and then wrote the text to match. It was 
then 
that
 I  discovered the incredible disappearing crane. As you view the 
accompanying  animated GIF image, you will see four frames in which the 
golden crane fades  into the northern sky. Whether the golden crane 
poked through  the veil and into  another dimension, I cannot say. Perhaps it was simple refraction and  diffusion of sunlight through the golden lattice boom of the crane.
Once I got over the  metaphysical possibilities
 inherent in the scene, I realized that no matter  the cause, the 
beautiful golden crane was a hazard to aircraft flying near the  
Sepulveda Pass. Although there are minimum elevation restrictions for 
commercial  and private aircraft in Sepulveda pass, Kiewit’s Golden 
Crane still represents a  danger to public safety.
Police chases on the freeways of Los Angeles are a regular occurrence. 
The first  line of defense is the police cruiser or perhaps a CHP 
cruiser. Following in the  air, is usually an  LAPD helicopter.
 Above that, typically there are several TV news  helicopters. With the 
golden crane disappearing into the haze of the northern  sky, a 
Sepulveda Pass police chase could easily become an  air disaster. If the angle of the sun is right, the pilot of a fast moving  helicopter might not see the crane until it is too late.
As
 beautiful as the golden crane may be, it should be lowered and its boom
  repainted in high contrast black, with a white tip, just like the 
crane on the west side.  Until then I will not sleep easily knowing that
 there is a huge Kiewit crane  materializing and then dematerializing next to the busiest freeway in Los  Angles.
By James McGillis at 05:35 PM | Current Events | Comments (0) | Link
