A Visit With Lizard Man, The Spirit of Pueblo Bonito
When I arrived at Chaco Canyon in May 2011, it had been two years since  my previous visit. That two-year hiatus represented one five-hundredth of  the time since the crash of Chaco’s  Pre-Puebloan culture. From the perspective of Chaco Canyon history, my time  away was insignificant.
Arriving at the park after nightfall, I had searched the visitor’s area 
for  water to fill the tank on my RV. To my chagrin, the old water tap 
lay capped-off  and hidden behind the temporary park headquarters. After
 searching for a while,  I found the new water tap in a far corner of 
the parking lot. Whoever placed it  there was not thinking about RV 
service. The only way to use the faucet was to  fill containers and then
 transport them by hand. The new manual system  encouraged conservation,
 but mainly through inconvenience. 
After investigating   Gallo Campground,
 I visited a large yurt that serves as the temporary  visitor’s center. 
Across the parking lot, the old center had disappeared, almost  without a
 trace. Early that morning, I had seen a large cement truck rolling in. 
 Where the old center had stood, construction workers were busy pouring a
  concrete slab for the new one. Based on the remoteness of the worksite
 and  progress to date, I estimated summer of 2012 for the opening of 
the new center. 
After paying my park entry fee, I purchased the book, “ Finders  Keepers: A Tale of Archaeological Plunder and Obsession”, by author and  naturalist  Craig Childs.
 Early twentieth century archeological exploitation at Chaco  Canyon had
 left it barren of in-situ artifacts. In the name of twentieth century  
archeological science, every human-made object found at Chaco Canyon 
disappeared  into private or institutional collections. Today, many of 
those treasures linger  on dusty shelves at various museums and 
universities. That void leaves Chaco  Canyon as a place with 
insufficient context. For current visitors, putting the  ancient puzzle 
together from only its architectural ruins can be daunting. 
At the northwest end of Chaco Canyon lies  Pueblo
 Bonito, the largest and most elaborate of the park’s great houses. At  
its zenith, as a gathering place of the ancient world, Pueblo Bonito was
 still  centuries away from European contact. Seeing its similarity to 
historical Hopi,  Zuni and Pueblo Indian dwellings, early Spanish 
visitors named it as such. 
Early European visitors found Chaco Canyon deserted and destroyed by its
 ancient  inhabitants. It was that event, about 1100 CE that we now call
 the   Great Disappearance. Within less than one hundred years, Chaco Canyon,  Hovenweep and Mesa Verde all fell to disuse and abandonment. Until the  ancestral Navajos arrived centuries later, most of the  Colorado Plateau remained uninhabited.
Why did the   Pre-Puebloan residents of Chaco Canyon build their grandest structure in the  shadow of “Threatening  Rock”,
 or tse biyaa anii'ahi (leaning rock gap) in Navajo? Archeologists say  
that early reinforcement of that fractured sandstone slab indicates 
ancient  knowledge of its peril. Was their choice of location an example
 of ancient  risk-taking behavior, or was something else involved?
Seeking answers to this ancient mystery, we may wish to look at 
contemporary  human behavior. If you visit Pueblo Bonito in the late 
afternoon, you will find  others awaiting sundown from within its walls.
 With few exceptions, those  pilgrims wait in reverent silence. Was 
ancient Pueblo Bonito also a place of  silence? Once twentieth century 
archeologists began studying and excavating the  ruins at Chaco Canyon, 
automobile traffic became ubiquitous in that area.  Accompanying those 
vehicles were new and   louder sonic vibrations, thus ending one thousand years of silence in that  place.
In
 January 1941, Threatening Rock, which stood 97 feet (30 m) high and 
weighed  approximately 30,000 tons crumbled on to the northern section 
of Pueblo Bonito.  As it fell, the once intact slab broke into untold 
numbers of jagged boulders,  both large and small. Like a flood of stone
 fragments, the rock fall released  its energy over a large part of the 
great house ruin. Since the fallen rock and  the building blocks of the 
great house are similar in color and texture, only  their haphazard 
angles of repose help an observer to differentiate the natural  elements
 from the constructed ones.  
Threatening Rock stood both before, during, and for a millennium after  
habitation at Pueblo Bonito. Why, within forty years of modern 
rediscovery did  the great stone slab crash down upon the ruin? Did the 
sound of human voices,  the vibrations from their machines, or time 
alone topple and shatter that  monolith? 
During
 my recent visit to Pueblo Bonito, I made a clockwise circuit of the  
ruins, observing in turn, the south, west, north (rock fall area) and 
finally  the east. Although there is much to see and feel within the 
walls of the great  house, I was intent upon finding and visiting with 
an old friend that day. With  any luck, I would find him hiding among 
the broken boulders of the rock fall.  Was he still there, or had he 
vanished in the two years since my last visit?  
As I walked along the path leading to the rock fall, there was no trace 
of my  friend. Then, at a sharp left turn, I saw him under the overhang 
of a large  boulder. He stood in profile, as if part of a natural 
frieze, sculpted and then  released from ageless bondage in stone. Freed
 from his bondage in stone after  one thousand years of silence, I 
offered my silent words of greeting to Lizard  Man,   the spirit of Pueblo Bonito. Although his wise countenance stared back at  me, he remained silent.
It
 was not until I edited the photos that accompany this article that I 
noticed  a vertical slab of stone framed in my first photo of Lizard 
Man. In the gap  between boulders, behind where he stands a tall fin of 
sandstone stands away  from the canyon wall. Was Lizard Man nonchalantly
 asking us to observe more of  this scene than just him? Indirectly, was
 he pointing to the new Threatening  Rock? 
After taking several photos of my friend, I continued on my circuit of 
Pueblo  Bonito. While taking the longer, temporary path to the parking 
area, I turned to  look back. From there I could see the wavelike 
pattern of broken stone left by the 1941 rock fall. Turning my gaze to 
the canyon wall, I realized  that I was now on the far side of the rock 
fin that Lizard Man had pointed out  to me. It was indeed a new 
Threatening Rock, which had sliced away from the  canyon wall. Narrow at
 the bottom and wide at the top, this slab was far smaller  than the 
original Threatening Rock. How much longer that second   Pillar of Hercules might stand, I cannot say. Only Lizard Man knows, but he  is not talking.
By James McGillis at 05:44 PM | Travel | Comments (0) | Link
