 
Lost History: The Desert Rocks Music Festival in Moab, Utah
On Memorial Day Weekend 2011, I was in Moab, Utah. After a  brief economic slowdown in 2008 – 2010, everything in Grand County
 was  booming again. Organized and ad hoc activities tend to peak on 
Memorial  Day, making it the busiest time of year. On that weekend, 
20,000 vehicles per  day passed through Moab on US Highway 191. Campgrounds were full  and all the usual tourist spots were packed. For me, it was time to get out of Downtown Moab and see  something new and different.
 
That new thing was my attendance at the  2011 Desert Rocks Music Festival, celebrating its seventh anniversary at Area BFE.
 Located thirteen  miles south of Moab, on Highway 191, Area BFE is a 
320-acre off-road  recreational area. For that long weekend, it 
transformed into a camping and partying venue,  featuring
 live music on three outdoor stages. Although I was decades older than  
the average-attendee, it sounded like fun to me.
 
Since the Desert Rocks Festival ran around the clock for three days, 
Saturday  afternoon seemed like a good time to visit. That way, I could 
scope out the  event and plan my return for the headliner acts that 
night. At the trailer that  served as a check-in point for performers 
and press, I showed my “Moablive.com”
  business card and obtained a press pass for that day and night. I 
promised to  write a blog article about the event. In this article, I 
shall keep my promise  to the promoters of Desert Rocks 2011, then known
 as DesertRocks.org.
 
The
 venue consisted of a natural amphitheater, which sloped down toward two
 main  stages. Around the upper rim of the amphitheater, there was room 
for  concertgoers to relax on blankets, while the more ardent fans could
 stand a few  yards from the main stage. Food trucks and vendors 
completed the large circle,  with easy access to tie-dyed clothing, 
organic food and coffee for a dollar.  Beyond the music venue were art 
installations and many campers, who had pitched  tents among the 
boulders and throughout the pinion and juniper forests.
 
When my friend, Jim Farrell
 and  I arrived, there was a young woman playing solo acoustic guitar 
and singing. She  was playing from a third stage, which was uphill and 
closer to the main  entrance. With gentle amplification and her sweet 
voice wafting through the air,  I was pleased to hear a message of peace
  and love all around me. The whole  festival looked and sounded like my kind of place.
and love all around me. The whole  festival looked and sounded like my kind of place.
 
At that time, Jim Farrell owned the Moab Rim Campark.
  Without overreacting, Jim commented that one of the picnic tables at 
the venue  had been “lifted” from his RV Park and brought to the 
festival grounds. As we  mused on who had absconded with the bench and 
transported it thirteen miles to  Area BFE, we experienced another 
surprise.
 
Without warning, a young woman emerged from a clothing vendor booth. Her
 hair  was up, her makeup was fresh and she was smiling at us. She wore a
 chiffon skirt  and a handmade necklace. Beyond that, she was topless. 
Jim Farrell, who is one  of the pillars of Moab society, was speechless.
 As a photojournalist, I asked if  I could take her picture. “Of 
course”, she replied. After smiling for a couple  of snapshots, the 
young woman disappeared back from where she came.
 
Jim and I decided it was time for lunch. Almost immediately, we found Justin  Dietrick,
 preparing organic soups, sandwiches and wraps in his RV, which he  had 
converted into a mobile kitchen. His business went by the name, “Yonder 
 Mountain Sandwiches”, or YOMOS, which seemed wholly appropriate for 
this  location, in the middle of nowhere. The organic wraps we selected 
were perfect.  We ate nearby, on the previously stolen picnic bench, 
enjoying our lunch.
 
It was a hot afternoon, So Jim and I decided to retreat to the 
air-conditioned  confines of our respective abodes. In my case, that 
meant taking a nap in my  travel trailer and spiritually preparing to 
return to Desert Rocks after  sundown. After a nap, a shower and donning some fresh clothes, I quaffed a glass  of wine and then headed down the highway to Area BFE.
 
Upon arrival, I flashed my Desert Rocks wristband and received 
directions to a  secondary parking lot, half a mile down a dirt road. 
The darkness and lack of  traffic directions created disorientation 
among the throng of drivers. Ultimately,  consciousness returned and we 
all managed to park in rows, so as not to block  ingress and egress to 
the festival. Even though most of us were stumbling around  in the dark,
 people were friendly and helped each other find the music venue,  which
 glowed in the distance, over a hill.
 
Growing up in Southern  California in the 1960s, I did not attend the San Francisco “Summer of  Love”, Monterey Pop or Woodstock, whatever that was. Here
 I was, in my sixties,  attending my first music festival. Around me in 
the parking area were people who  had driven or even hitchhiked to 
attend Desert Rocks. Two young women, who had  hitchhiked for days, had 
utilized a cardboard sign that read, “Desert.Rocks”.  That sign inspired
 me to purchase the internet name, “www.desert.rocks”.
 
Although I could not get a good picture of any fire-spinners, they 
seemed to be  standing on every large boulder. Holding double-ended 
torches, five or six feet  long, they were content to stand and offer 
spinning flames as a backdrop to the  entire festival. No one paid them 
to stand for hours on end, spinning their  fire. It was just what they 
had come to do.
 
Inside
 the venue, there were art installations in yurts, teepees and many 
other  shelters. There was no additional admission charge to go inside 
and see strobe  lights bouncing off pans of colored oil or an artificial
 celestial scene  projected on the inside of a yurt. For those who had 
consumed magic mushrooms or  other hallucinogenic compounds, it probably
 appeared quite normal. I decided to  go feel the music.
 
After a group performed rockabilly classics on the second stage, 
everyone’s  attention turned to the main stage. This is where my story 
gets strange. With no  printed lineup of bands available, I do not 
remember who the headline band was.  Soon, they took the stage and 
performed a great rock & roll set that lasted for  over an hour. The
 lead guitarist looked like Yeshua, but with enough curly hair  for 
three people. He sang and played his heart out, as did  his
 three bandmates.  As the crowd packed in close to the stage, the band 
entranced its fans with that  performance. The whole concert was great. 
Looking back, six years later, I have  no idea who that band was. Maybe 
someone can send an email with the band’s name. I would love to give 
them credit.
his
 three bandmates.  As the crowd packed in close to the stage, the band 
entranced its fans with that  performance. The whole concert was great. 
Looking back, six years later, I have  no idea who that band was. Maybe 
someone can send an email with the band’s name. I would love to give 
them credit.
 
Although the festival would go on all night, it was time for me to rest 
on clean  sheets and a comfortable bed, back at my RV. By the next 
morning, a dust storm covered all  of Grand County, including Area BFE. Having spent some time Behind the Rocks,  covering the 24-Hours of  Moab Bicycle Race,
 I knew the festival goers would have sand in their hair  and grit 
between their teeth. I left the final day of Desert Rocks 2011 to the  
young people. Instead, I went down to the Colorado River to  watch the spring flood,  as it cut into the toxic Moab  Pile.
 
While preparing to write this article, I researched  Desert Rocks 2012…
 and beyond. Because Desert Rocks had outgrown Area BFE,  the promoters 
moved the 2012 festival fifty miles north, to Green River, Utah.  There,
 at Jenkstar Ranch,  the promotional team planned a “consciousness  festival”.
 As with the past Desert Rocks Festivals, there would be visual  
artists, art installations, a poetry slam, health-food vendors and 
performance art,  all in a three-dimensional time-space reality (3DTSR).
 
Although I did not attend, quotes from Desert Rocks 2012 include the 
following:  Party’s over, dude—but it’s for the best. Once one of Utah’s
 biggest  outdoor-camping party events, Desert Rocks Festival is now a 
celebration of  consciousness. “It means so much to me that I’m not just
 throwing a party in  the  desert anymore,” festival founder  John Ripley Corkery
 said. “I’m [now] putting on an event that can help  people change how 
they live. I was a little depressed that we’re not back in  Moab, but 
once we lined everything up, all of a sudden it started to have very  
serious meaning. I feel like there was some higher purpose for us to 
move to Green River,”  Corkery said.
the  desert anymore,” festival founder  John Ripley Corkery
 said. “I’m [now] putting on an event that can help  people change how 
they live. I was a little depressed that we’re not back in  Moab, but 
once we lined everything up, all of a sudden it started to have very  
serious meaning. I feel like there was some higher purpose for us to 
move to Green River,”  Corkery said.
 
After the  2012 Desert Rocks event, Austen Diamond,
  columnist for the Salt Lake City Weekly said, “Desert Rocks might be 
one of the  best experiences that I probably won't ever do again. Drum 
circles, hula-hoops  and hippies everywhere. Nearby Green River Beach 
was the only way to avoid the  beginning of an all-consuming dust storm 
at the festival, which was nearly empty  by noon. We had a comfortable 
view from the car as we try to salvage our camp  from being destroyed. 
We then drank lots of tequila in other cars.”
 
Diamond
 went on to say, “A collective, 1,000-person group hug knelt in the dirt
  before the main stage to ‘send energy into the universe’ at the 
‘Consciousness  Ceremony’ Friday night. Led by Desert Rocks festival 
founder John Corkery and  executive producer  Ron Johnson,
 the crowd began a low, resonant hum - similar to ‘om’ -, which  rose in
 volume and pitch to a massive orgy of animal howls. That essentially  
sums up the eighth-annual festival: setting a decent intention, which 
then  turned primal.”
 
City Weekly copy editor  Kolbie Stonehocker had a memorable time. “Whenever someone found out it was  my first-ever music festival, they’d say, ‘Whoa, Desert Rocks is  a hell of a festival to be your first.’ Were they ever right! I will never  forget you, Desert Rocks,” Stonehocker wrote. “I brought  home enough sand in my  clothes and hair to remember you forever.”
home enough sand in my  clothes and hair to remember you forever.”
 
What no one expected was a three-day dust storm so strong that it 
shredded the  campground. Most musicians could not risk ruining their 
equipment, so music was  at a premium. Water supplies in the campground 
ran dry, with no further  replenishment. The only refuge for many 
attendees was to sit in their cars or  leave altogether. In any event, 
it was the  last and final Desert Rocks Festival. If you search the internet for "http://desertrocks.org",  it leads nowhere.
              
By James McGillis at 12:47 PM | | Comments (0) | Link

 
 
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