Another Costantino Proietto Painting of the Amalfi Coast is Revealed.
We recently discovered that the signature on our oil painting of the Amalfi Coast
is “C.Proietto”. Since then, I have been on a quest to find out more
about, “The Man from Amalfi”, Signore Costantino Proietto (1910 - 1979).
Soon after posting my original article
on that subject, Ms. Marion Grayson of Belton, Texas sent me an image
of her own C.Proietto. It is yet another Amalfi Coast masterpiece.
Although
foreground objects differ, and the field of view varies, each painting
was of the same place, by the same artist. On the terrace of the hotel
from which he often painted, only the potted plants had changed. Even
before seeing his signature, my heart leapt. Here was yet another window
in time, created by the master in residence, Costantino Proietto.
Soon after we published images of the Grayson C.Proietto painting,
Mr. Darold Bennett of Las Vegas, Nevada emailed three images of his own
C.Proietto. Displayed by his in-laws in their home of sixty years, the
family treasure hangs now in Bennett’s home. Remarkably, the Bennett
CProietto depicts the same Amalfi Coast location as the previous two. As
usual, the artist depicts the Amalfi Coast, with a view to the sea. Of
his own Costantino Proietto painting, Darold wrote, “I had a hard time
trying figuring out the name too, but it finally came to me that it is
‘C.Proietto’, not ‘C.Preietto’. My in-laws had this painting about 60
years. Are [C.Proietto’s] paintings worth anything?”
The
quick answer to Darold’s question is; historically no, but in the
future, perhaps. From the limited biography available for the artist,
only postwar tourists to Italy purchased his paintings from their
source. Since initial purchases were in the 1940’s and 1950’s, many C
Proietto paintings are now passing from one generation to the next. In
our case, we are third-generation owners of our painting.
In most cases, C.Proietto provenance is hard find.
Current owners often know who first owned the painting, yet few details
of purchase remain. Although an artist of note could counterfeit his
works, recent auctions value an original C.Proietto at or below $1000.
Short of forensic analysis, C.Proietto’s unique signature is the best test of authenticity. I cannot imagine anyone copying that multifaceted signature
and making it look right. In an effort to strengthen their provenance,
some later C.Proietto paintings had wax seals and other documentation
attached.
Bennett’s
is the third C Proietto Amalfi Coast painting to surface on the
internet in the past month. With such rapid additions to the artist’s
known body of work, we wonder how many more examples may exist. We
picture many a living room graced by an attractive oil painting depicting a classical Italian scene. Is that the new owner, staring at an enigmatic signature, executed with blue paint so dark that it looks black?
At least one letter in each of the artist’s
signatures will be enigmatic, if not indiscernible. Over time, each
owner of a C.Proietto painting shall decipher the signature code,
conduct a Google search and find that he or she is among friends. If
each who discovers their own C.Proietto masterpiece provides us with
information on their painting, I shall publish it here.
In
Ancient Egypt, Pharaohs appeared as a blend of human and deity,
manifested here on Earth. If their god-side was to penetrate eternity,
so too must Pharaoh's image. Even today, viewing one of their funerary
masks “in person” can send a chill up your spine. In that moment of
mutual recognition, we validate another Pharaoh’s quest for eternal
life.
On what date Costantino Proietto lifted his final
canvas from its easel and sold it to a tourist for a few hundred
dollars, we do not know. All we know is that sometime in the second half
of the twentieth century, C.Proietto painted his final masterpiece.
Each unrecognized painting waits for its owner to decipher to its
signature. Like the mask of an ancient Pharaoh looking back at us
through time, each locked Costantino Proietto signature awaits its key.
In fact, human consciousness is the key to All that Is.
By James McGillis at 07:12 PM | Fine Art | Comments (4) | Link